In the late 1970s, four young musicians from Marsberg, Germanydespite the absence of a local jazz scenecame together to form Green Cosmos, a quartet whose sound drew equally from John Coltranes spiritual fire, world music traditions, free jazz, and Indian classical influences.

Morgenmusiken marks a pivotal stage in the groups evolution, moving beyond the ballad-driven character of their debut Abendmusikenreissued earlier this year by Frederiksberg Recordstoward freer, more meditative soundscapes. Across seven previously unreleased tracks, the album blends ‘cosmic music’ with ‘live compositions,’ reflecting the bands distinctive approach to spontaneous creation. Sessions often began in silence and meditation, gradually unfolding into collective improvisations.

The lineup featured Michael Boxberger on saxophone, Benny Dring on piano, and twin brothers Alfred and Ulrich Franke forming a rhythm section frequently described as having a ‘telepathic connection.’ Joined by sitar master Narayan Govande, they shaped a sound that balanced freedom with improvisation, space, and silence. ‘Silence might be the most beautiful part in music,’ the band once reflected. ‘One single note can make more of an impression than 100 notes.’

With this ethos, Morgenmusiken invites listeners on a journey both meditative and expansive – a discovery of music that feels timeless.